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Opening: Friday, June 7th, 2013, 7–9 pm
Allora & Calzadilla, Álvaro Barrios, Sarnath Banerjee, Chang Chaotang, Christopher Cozier, Alvin Curran & Willem de Ridder, Trisha Donnelly, Annika Eriksson, Allan Kaprow, Christodoulos Panayiotou, Beatriz Santiago Muñoz, Stuart Sherman, Fiona Tan, Ben Vautier, Ryszard Wasko, Stephen Willats

Saturday, June 8th, 7 pm, daadgalerie:
Artist talk with Annika Eriksson, Christopher Cozier & Sarnath Banerjee


The exhibition "Being an Island" (Inseldasein) begins by looking at the island as an idea so as to then go on to examine real islands. Central to this is on the one hand the metaphorical perception of a political space – derived from the context of the geopolitical enclave called West Berlin between 1949 and 1990 – and, on the other hand, also the state of being an island in the geographical sense as well as a real socio-political existence of islands and island states today.

‘This city is a prime example for isolation. It is an island in which one lives and forgets about the wall. The strange thing is that everybody forgot about the isolation,’ wrote Nan Hoover, a guest of the DAAD Artists-in-Berlin Program, about West Berlin in 1980. When people talked about West Berlin, they commonly made use of the island metaphor. As an ‘island’ isolated by the Wall, the city thus fit within the symbolic imagery of that time. Thanks to their outside perspective, many of the international DAAD guests brought with them an incisive view on the West Berlin reality, and commented on its isolation, separation and loneliness, but also its particular autonomy and specific freedoms in their work. The exhibition Being an Island presents various works by former guests of the DAAD Artists-in-Berlin Program that were created within this context. Although the works of the DAAD guests are not always characterised by the concept of seclusion and isolation, they nevertheless sketch a picture of a particular whole that was shaped by political reality.

Before the backdrop of the fact that the 'the metaphorical idea of the island is so powerful that it can be deployed in the absence of even the slightest reference to the reality of islands' (Peter Hay), the exhibition moves from ‘the island’ to islands and turns its gaze to islands as real places. Approximately ten per cent of the world’s population lives on islands with their own individual history as well as specific socio-political realities. Their living spaces – islands – are today under great ecological pressure and find themselves confronted with demographic, social and economic issues that result from their special situation. At the same time, islands are subject to the mechanisms of the globalised world – they represent tax havens, offshore economy and tourism oriented toward distant destinations. If one ignores these issues, one reduces them to colourful tropical paradises of a roughly abstract or metaphorical character.

How can we, therefore, speak about islands today? In more recent scholarly island studies, one can observe a shift in the discussion – away from the concept of seclusion (which originates from the remote spatial situation of islands and disregards their special social and cultural characteristics) and towards the idea of the living and multi-dimensional concept of ‘islandness’. The second part of the exhibition examines this idea by bringing together international artists who live and work on real islands, and in island states, or are involved in intensive examinations of island realities today.

Curated by Kasha Bittner & Catalina Lozano


Sound Walk Walkman Berlin (1986)
by Alvin Curran & Willem de Ridder

DOWNLOAD HERE:
Part 1, 67.9 MB
Part 2, 66.6 MB
Part 3, 72.3 MB
Part 4, 68.9 MB

The media artist, storyteller and radio moderator Willem de Ridder (born in 's-Hertogenbosch, the Netherlands in 1939) and the composer, performer and sound artist Alvin Curran (born in Providence, Rhode Island in 1938, lives in Rome, Italy) came to Berlin together in 1986 for the production of the narrative sound walk Walkman Berlin. It was created for the festival INVENTIONEN, which was organised by the DAAD Artists-in-Berlin Program, the electronic studio of the TU Berlin and the Akademie der Künste Berlin and explored innovative linkages of language and music. With verbal instructions, Walkman Berlin leads through the western part of Berlin before the opening of the Wall, and at the Friedrichstrasse train station touches on the drama of the division of the city. With points of reference in reality and through the fictive story of a female film star, a confusing parallel world is created using the formal principles of the radio play and music produced on the synthesiser. If one listens to and follows Walkman Berlin, which is unusually long from the perspective of today, a third reality is added: contemporary Berlin. The city has changed so much in the past twenty-seven years that the realities drift apart from each other at some locations, threatening a loss of orientation. (Julia Gerlach)

Attention at Friedrichstrasse: here the reality has changed significantly. If it does not work at all, please go to the S-bahn platform in the direction of the Zoo station.

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